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| Henri Rousseau, 120 Paintings Rousseau, 1844 to 1910, was a catalyst in the creation of the Naive, Folk Art, style during the Post Impressionism movement. His paintings express innocence, clarity, and colour, while at the same time a subtle undertone and acceptance of the struggle and harshness inherant in being a creature alive in the world. Employed as a civil servant, he did not devote himself full time to painting until the age of 49. It's believed he never left France, yet he revelled in painting tropical and jungle scenes summoned from imagination and subconscious; as well as painting his own Parisian suburban environs. Picasso, passing used canvases to be painted over for sale on the street, noted the brilliance in one of the paintings and sought out the artist, it was Rousseau. |
| J M W Turner, 130 Paintings Joseph Mallor to William Turner, 1775 to 1851, was an English landscape and seascape oil painter and watercolorist of the Romantic era whose style can be said to have laid the foundation for Impressionism. He drew inspiration from the raw power, immediacy, and energy of nature. The work of his matured talent created lightness, fluency, and boldness, employing a chromatic palette and broadly applied atmospheric washes of paint, and were far ahead of his time. |
| Vincent Van Gogh, 220 Paintings Impressionist period. His artwork is simultaneously complex and naive, passionate and innocent, vibrant and subtle, tender yet honest. His heavily laid brush strokes indicate an almost physical engagement with his art. His paintbrush and pallette have come to touch a resonant chord throughout the world. His paintings powerfully influenced the later current of the Expressionist movement in modern art. He remained relatively unknown during his lifetime but Van Goghs art became astoundingly popular after his death, especially in the late 20th century. |
| Winslow Homer, 210 Paintings Homer, 1836 to 1910, a late nineteenth century American landscape and seascape painter best known for chronicling the struggles and joys of folk who lived off the American seas, mountains, farms and pastures which he traversed during his working vacations. Virtually self-trained, he excelled in oil painting, but his gifts truly shined through his watercolor work. He, along with John Singer Sargent, are considered the finest American watercolorists of the nineteenth century. He had the ability to capture the essence and flavor of a moment in time, and of his subjects who are usually presented involved in candid daily activities. A beautiful tour of early Americana. |
| John Singer Sargent, 235 Paintings Sargent, 1856 to 1925, was a true virtuoso who during his career created roughly 900 oil paintings and more than 2,000 watercolors. His portfolio documents worldwide travels from Venice, the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. An American expatriate, spending most of his professional life in Europe, he became the most sought after oil portrait painter of elite society, but when viewing their commissioned portraits the patrons were often taken back by his subtly unorthodox approach. In his watercolor work he became truly free to express his artistic spirit, and his vision of brilliant sunlight playing off it's subjects. |
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