Collection suitable for
viewing by any age group.
viewing by any age group.
| Price $7.00 |
| Price $7.00 |
| Price $8.00 |
| Price $6.00 |
| Price $7.00 |
| Price $8.00 |
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Collections by Art Period II
| Collections by Artist II |
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( reduced sample image )
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Collection suitable for
viewing by any age group.
viewing by any age group.
Collection suitable for
viewing by any age group.
viewing by any age group.
NOTE. While all paintings contained in
this screensaver are in good taste, some
are of nudes, though none sexually
explicit. Your discretion is advised.
this screensaver are in good taste, some
are of nudes, though none sexually
explicit. Your discretion is advised.
Collection suitable for
viewing by any age group.
viewing by any age group.
Collection suitable for
viewing by any age group.
viewing by any age group.
Collections by Art Period II
| Collections by Artist II |
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| Paul Cezanne, 225 Paintings Cezanne, 1839 to 1906, can be said to form the bridge between late 19th century Impressionism and the early 20th century's new Cubism. The statement attributed to both Matisse and Picasso, that Cezanne is father to all modern artists, cannot be easily dismissed. Using planes of colour and small brushstrokes that build up to form complex fields, at once both a direct expression of the sensations of the observing eye and an abstraction from observed nature. |
| Edgar Degas, 210 Paintings Degas, 1834 to 1917, was one of the true founders of the actually traversed many artistic styles. His paintings display his mastery in the depiction of movement, apparent in his studies of dancers and of racehorses, and he liked to project how we view active scenes by cropping subjects awkwardly and by choosing unusual viewpoints. Of course all this along with his alternating vivid use of rich and chromatic color. |
| Paul Gauguin, 300 Paintings Gauguin, 1848 to 1903, was a major catalyst during the Post Impressionism period. His bold experimentation with color, and incorporation of cloisonnism, led directly to the Synthethism style of modern art, in which niether form nor color predominate but each has an equal role. He had a great admiration for the folk art of cultures of the world, inspiring him to lead the way to Primitivism. He felt traditional painting had become too imitative and lacked symbolic depth. By contrast, the art of Africa and Asia seemed to him full of mystic symbolism and vigour. Moving to Tahiti, he spent the last years of his life celebrating the life of it's inhabitants on his canvas. |
| Edouard Manet, 135 Paintings Manet, 1832 to 1883, was one of the first 19th century artists to approach modern life subjects. A pivotal figure in the transition from Realism to Impressionism. His approach engendered controversy with the established art world, but today these are considered watershed paintings that mark the genesis of modern art. |
| Claude Monet, 250 Paintings Monet, 1840 to 1926, is recognized as a founder of impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions of nature. The term Impressionism is derived from the title of his painting Impression Sunrise. He was entranced by the way sunlight played off subjects. Trusting his perceptions, he painted in brilliant color and light which gave the world a glimpse of nature as never before considered. |
| Pierre Auguste Renoir, 475 Paintings Renoir, 1841 to 1919, was a master in the impressionism style and a major figure in it's development. He celebrated beauty from whatever elements he might come across. It has been said that Renoir is the final representative of a tradition which runs directly from Rubens to Watteau. Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. He suggested the details of a scene through freely brushed touches of colour, so that his figures softly fuse with one another and their surroundings. |
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